Each core character's story interlopes with Parry the centre of the patchwork plot - a masterstroke of coincidence and tightly plotted linear focus. The Irene angle played out a little less believable yet presented enough surface reality to be plausible. The main event; the murder of Perry's cheating wife, Gert, leads to suspicion of everyone within the doomed couple's circle - notably Madge and Bob Rapf, a couple with a seemingly open relationship who both come under fire throughout proceedings. There's also a nice side bar which plays on Parry's paranoia following his escape - keep in mind the Studebaker while reading...
While entertaining enough throughout, Goodis employed an annoying element of estimation into almost anything that encompassed figures (distance travelled, time, money, etc.) - this had a tendency to be a distraction rather than an addition to the story. Other blips can be overlooked - notably some corny dialogue but then again this was written some time ago and rings true to the time and genre trappings.
Parry, prone to leak at the drop of a hat yet hardened enough to beat a man unconscious is an interested character made of two distinct halves - I'm not sure which takes prominence - the hard or heart? Goodis will question Parry's sanity and humility throughout, making 'Dark Passage' all the more true to the title. As noir/pulp as it gets - held together by the glue of intrigue and mystery while following a theme of the classic case of whodunit without the police procedural element.
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