Goodis
writes the alcoholic induced protagonist to perfection. Much like STREET OF NO
RETURN, the vice provides the key to the leads chemical make-up, building character
(for good and bad) and driving the sordid tale.
Set
amongst contrasting locales in Jamaica, THE WOUNDED AND THE SLAIN provides
equal billing to the desirable and undesirable alike. The slums are without
hope, an emotionally desolate place of structures where criminality is
commonplace - whereas the fine hotel where the Bevan’s are situated is all
tourist guide perfection – sunshine and a healthy lifestyle. This does well to
enhance the Bevan’s facade’, a circle that doesn’t fit inside a square.
I’ve read
THE WOUNDED AND THE SLAIN twice now and am still drawn to the raw feeling of
depression and complex nature of the Bevan’s. As a couple and as individuals
they are hopelessly flawed yet both provide glimpses of redeeming qualities as
the story progresses, all it takes is a little blood and the realisation of a
harsh truth.
THE
WOUNDED AND THE SLAIN is one of my favourite Goodis noir novels and perhaps the
truest to the overall feeling of noir. It’s bleak, grey, unnerving, and true
grit. There are no bells and whistles in this tale – just an easily believable
plot and smart story telling. 5 stars.
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