A young, attractive, and wealthy model is the subject of an
investigation where the official ruling of suicide is revisited by PI Cormoran
Strike, following the deceased brother hiring his services. As Strike delves
into the inner sanctum of the rich he uncovers secrets, jealously, and more
deaths which cloud the police’s initial determination. The suicide looks to be
murder and the victims close circle of friends/family are all under suspicion.
For me THE CUCKOO’S CALLING is an unofficial police
procedural (basically Strike is a PI but apart from 1 or 2 scenes, he reads as
a cop) with the core premise mirroring the classic whodunit formula. Strike is
a war vet and the son of a famous musician who still carries memories of
conflict by virtue of a prosthetic lower leg serving as a constant reminder of his former life. He’s disassociated from his
wealthy father resulting in the typical lone wolf persona adopted by many
Private Investigators in crime fiction, is severely short on funds, and hasn’t
been able to bead down an office assistant, until Robin that is.
Robin, on temporary assignment while she waits for more
permanent employment forms an organic bond with the downtrodden PI and quickly
assumes a minder-like role, creating an interesting dynamic between the two.
Any perceived sexual tension or relationship is quashed as Rowling develops the
characters as two distinct personalities with their own reasoning and goals
rather than establishing them as a detective duo – I liked this approach.
There are similarities with THE CASUAL VACANCY in terms of the
way certain characters are portrayed and the manner by which they go about
their business with/against one another but nothing that’s off putting or
detracts from the murder mystery. Had I not known Rowling was the author I
wouldn’t have consciously looked for similarities.
Overall this was an enjoyable slow-burning murder mystery
centred around an interesting cast of characters that I’m sure we’ll see more
of. I look forward to reading future Strike investigations.
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